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榮耀六十年

  • Anna Neagle Anton Walbrook C. Aubrey Smith Walter
  • 120分鐘
  • Sixty Glorious Years is an exercise in the creatio…Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor

榮耀六十年分集劇情

榮耀六十年第24集劇情查看詳細(xì)

  唐既白來到了魏檢查官休息的地方,魏檢查官退休后經(jīng)常到地下室獨自打臺球。唐既白的到來沒有讓魏檢查官驚訝,魏檢查官意識到自己東窗事發(fā)了,底細(xì)全部被唐既白查清了?! √萍劝状蛄康叵率业膲Ρ?,墻上掛著魏檢…

榮耀六十年第23集劇情查看詳細(xì)

  唐既白約馬天競見面,馬天競急著辦事,起身準(zhǔn)備離去。唐既白指出馬天競曾經(jīng)是紅薔薇案件的代理律師,馬天競見唐既白查到了一些線索,心里開始發(fā)虛了。唐既白播放了馬天競與殺人兇手談話的錄音,馬天競面色立時一…

榮耀六十年第22集劇情查看詳細(xì)

  周行坐在寬屏電腦面前,追蹤趙征的下落,趙征與唐既白父母死亡有關(guān),唐既白也在尋找趙征的下落?! √萍劝讖堎N了跟黑薔薇有關(guān)的人的相片,其中包括坐牢段晨明。周行坐在電腦前,慢慢發(fā)現(xiàn)了趙征的行蹤,電腦屏幕…

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